Notes

The revolution that takes place in your head, nobody will ever see that.

Tag Archives: Twitter

GIFs as metaphors

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Faulkner

Back in the noughties I used to maintain a Blogger diary and updated it twice a week. What struck me reading it back (now safely offline) is not so much the pretentiousness or negativity, but the extraordinary length I went to describe ordinary things.

Like all early bloggers I had no visual content to illuminate my words and unlike the multi-dimensional apps we broadcast from today, Little Earthquakes was my exclusive space on the internet. During the beta years, there were no status updates, memes or tweets to keep you entertained throughout the working day.

On reading my old diaries, it’s probably a good thing Twitter and Facebook didn’t exist. As while I’ll love dreamy quotes and literary feels until I die, I was a dreadful twentysomething.

Most people’s diaries are excruciating, but there is an unnerving sense I could have done anything and blew it through inertia and self-sabotage. I was a little God in my small way.

Blogger

Nobody uses Blogger anymore but on re-reading my noughties blog I am surprised at the length and indeed the frequency of my updates. The paragraphs were longer, denser and wonderfully inconsiderate of modern formats that prefer reactionary images and videos.

Essentially I was a frontier blogger repeating what had gone on in the analogue era. And by writing in traditional English (words, sentences and paragraphs) my diaries will probably seem incredibly dated to future generations.

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Visual means of communicating are already taking precedence with journalism reduced to using pre-existing and irrelevant Gifs as metaphors. Like why compose a 600 word blog when you can upload a 6 second Vine instead? The English language has always been in a state of constant flux and smartphone apps are revolutionising how kids communicate with one another.

Funeral Selfie

Last year’s Selfies at Funerals website was superbly funny and became an Internet obsession for about a week. It was almost like the cartoon participants of Selfies at Funerals were an anthropological case study from another planet, but Generation Z are going to write the future and it doesn’t have to include words. As the seemingly trivial ‘selfie’ has an emotional resonance amongst teens that even people in their early thirties don’t understand.

Selfies are insanely silly for the most part – a warm, funny and entertaining way to share our feelings and communicate with one another. Witnessing the birth of a visual language is a fascinating experience. Smartphones have created something innately human and more importantly new. This has never happened before and our selfie obsessed culture is like a web born toddler taking its first steps.

IMG-20140315-WA0004

Visual storytelling is what moves people now and even Twitter’s famous 140 character limit is being invaded by images. Historically pictures have always been easier and quicker for people to understand. They get the message across more vividly.

With smartphones replacing words with photos I am already looking out of date. Indeed it is safe to say that anyone over thirty is now irrelevant. Even those who willingly embrace Snapchat and Vine while composing Emoji poetry are culturally obsolete  Emoji symbol

Emoji

Emoji is a visual alphabet from Japan that originated in 1999 because the Japanese language is not suited to short hand messaging. These “picture characters” are commonly misunderstood for emoticons, which is a portmanteau for emotions + icons we use to supplement our text messages and badly written emails (-:

A subtle difference, but a profound one as Emoji symbols are replacing words altogether. That’s not to say the sentiments or ideas expressed in this way are any less meaningful than writing formally.

Digital problems require new solutions and visual short cuts are inevitable if we spend all our time on smartphones. It’s an economy of scale. Only I’m unlikely to compose my thoughts using Emoji when as a digital immigrant I’ve been brought up to use words, sentences and paragraphs.

Elephant in the Room

Although despite not taking any selfies or writing in symbols you have to adapt to survive. Language has always evolved and mutated over time. Fitzgerald did not write like Shakespeare and Snapchat teenagers are unlikely to publish their diaries with no pictures.

The speed of change is relentless and my noughties blog has dated like an rotary dial telephone in an Apple Store. And you know what? It isn’t even that old. But history is accelerating faster than ever before. Less than a decade can pass and your twenties read like something from a period drama.

Italian Hustle

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Let's adore and endure each other

This is a story about an Italian hustler in Shoreditch. He broke all the rules, lied to everyone and never took any responsibilities for his actions. He cost me a considerable amount of time and money and I should hate him but for some reason I empathise with his desire for success. He tried, tried and tried again. And he doesn’t stop trying.

Likewise I never stopped chasing him in court for my unpaid wages. I kept on trying and trying despite having no chance of success. Everyone told me it was a waste of time. As enforcing a court order against this Shoreditch playboy would be like throwing spilt milk at a beggar.

Accepting work from Leonardo (not his real name) was a huge mistake. But when you are unemployed and looking for jobs; you try things, silly things, especially if you want to avoid working in an office. Freelancing is an extremely hard thing to do. It’s far easier to take a salary from a big company and bank the savings. Doing your own thing offers freedom and creativity but many people fail working on their own and some more spectacularly than others.

By joining CAN U in June 2013 I unwittingly signed a freelance contract with a startup company on the verge of collapse. Despite obsessively talking about #collaboration and #collaborating on their website their business model was opaque at best. Having a creative army of designers, writers and artists on your books is impressive but it won’t make you any money.

That’s the problem with many East London startup companies. During the first year you have a shiny new website, glamour launch party, coke-addled staff and a low-interest business loan to pay for it all. The second year the bills come through…and this proved to be Leonardo’s downfall.

An infinitely hopeful man with zero understanding of business, Leonardo believed he was predestined to become the greatest entrepreneur in the world. On running up 10k worth of debts in unpaid wages and countless feuds, Leonardo sadly proved to be just another social media consultant in a playground full of young CEO’s.

On being hired under false pretenses, I found myself overseeing their content strategy, writing blogs and updating their ‘What’s On’ microsite. Despite having nothing in common with Leonardo, I initially found him a positive and enjoyable person to work with.

Leonardo’s biggest problem was that he loved the idea of being a CEO but didn’t have the foresight or discipline to be one. For example he became convinced that writing in caps was a good idea. “FROM TODAY I WANT ALL COMMUNICATIONS IN CAPS”, I was surreally told one morning. I responded to his email straight away and explained that from a writing perspective, caps are considered loud and aggressive and it would upset future clients.

“THIS IS PART OF OUR NEW COMMUNICATION STRATEGY AND IS NON -NEGOTIABLE. CAPS ARE POSITIVE AND GREAT FOR BUSINESS”.

Only they are not great for business – they are annoying and irritate nearly everyone.  It soon became clear that Leonardo loved taking calls and updating his Facebook status but did precious little else.

CAN U failed to pay me for my 90+ hours work or any of their staff. Unable to remunerate his freelancers, Leonardo claimed he couldn’t pay anyone until CAN U received ten grand from an Italian restaurant in Hammersmith.

His negotiating tactics for settling this debt involved going over to West London and throwing chairs at the owner. Later he is alleged to have paid some heavies £250 (on the advice of a bogus debt collector) to bash the restaurant owner’s legs. Let’s just assume his methods were unsuccessful.

Abandoning all of his debts in July 2013 he tried to relaunch CAN U as a phoenix company trading under a slightly different name. His former colleagues were bitterly angry but couldn’t find a way to challenge him. Undeterred by his ridiculous emails, I pursued my wages in the small claims court and won a default judgement against CAN U.

It was a moral victory, but a pyrrhic one. CAN U have no funds left available and I will never be compensated for my efforts. No regrets from me – someone had to try and take him down. CAN U are still officially trading but only because I have a court order to keep them superficially alive.

On pursuing his entrepreneurial ambitions through social media, Leonardo appears no closer to making it big. Although I hope one day his fearlessness is rewarded. Reading his bizarre updates on Twitter #alwaysbehonest #nevergiveup I find myself almost wanting him to succeed.

As for all the lies expressed by Leonardo since I joined CAN U, I don’t think he’s a bad person. On the surface he’s a friendly and entertaining character. He keeps on demanding the impossible and makes glorious mistakes. Playing it safe is certainly not his style. He makes me laugh even though I should want to kill him.

Leonardo keeps on trying and has never compromised unlike this blogger. I guess for that reason alone, I am a grand down but can’t find it within myself to dislike him.

A Portrait of the Artist as a Kohl-Eyed Entrepreneur

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Molly Crabapple

Molly Crabapple has never struggled to get the internet’s attention. Born in New York, the visual artist has a saucy flair for the cruel and gorgeous, embracing a decadent world of burlesque, nudity and subversive politics. From decorating some of the world’s most glamorous nightclubs to founding a burlesque cabaret workshop, Dr. Sketchy’s Anti-Art School, Crabapple’s art empire strikes against the bohemian maxim ‘I am an artist, therefore I despise wealth’.

On the contrary Crabapple is a roaring American success story. By mastering the internet she controls her own financial destiny and this alone will upset some purists, as artists have traditionally rejected materialism. Making money from art goes against the ruinous fantasies of bohemians who live for the moment.

Poverty has traditionally defined an artist’s career, a garret lifestyle cliché of half-grooved eccentrics and drunken poets who believe art can only flourish where material comforts are absent. With the advent of crowdsourcing in the 21st century starving artists can now queue in Waitrose for lunch, if they are successful of course.

Her latest project the Shell Game received $64, 799 from 701 backers on Kickstarter, which will fund nine massive paintings about the collapse of the banking system. It may even pay the rent, grocery bill and six bottles of absinthe too. Why should an artist have to starve for their craft?

Everyone should welcome that an artist can now make a real living out of their creative gifts without starving or working for an insurance company. Uncompromising men and women are easy to admire but artists who subvert from within live to tell the tale.

“As any strawberry picker can tell you, hard work and nothing else is a fast road to nowhere.”

– Molly Crabapple

Through sheer force of personality and brilliant marketing, Crabapple has skillfully cultivated a subversive underground image. Arrestingly beautiful she could easily pop out of a traditional Western European fairytale and with her phosphorescent eyes and gothic baby doll aesthetic, the New Yorker looks like a painting. Luminous cheekbones bereft of intellect or character will only capture your attention for so long though.

And while no one should doubt her unseen hours of dedication, Crabapple’s anti-establishment credentials are very suave; the kohl-eyed darling of Occupy Wall Street trended after her arrest by the NYPD in September 2011. You don’t need to be a social media node to realise that #freemollycrabapple will do wonders for your marketing potential.

Eaeyoepotynia

While it may have been romantic for artists to suffer in the inter-war era, the crowd sourcing phenomenon of the twenty-first century provides a new model. Why should the wealthy have the sole reserve over the arts? Anyone who purports not to care about money either has too much or doesn’t need it. Crabapple in this respect is a modern inspiration and should be applauded for her glamour inspired riches. Romantics may starve in dismay but aspiration and the arts no longer have to be mutually exclusive.

The Web is Not Great

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Coming into work with your eyes stinging from the night before doesn’t require a night out to remember. The world is flooded with electronic light and it no longer requires anyone to go outdoors. After spending all day in front of a computer and returning home to converse in the same fashion, there appears to be more and more ways to communicate than things to say.

Cyberspace has become a black hole, where our thoughts and emotions are distributed on Facebook and Twitter, and sold on and repackaged to make a profit. God once commanded his flock to down tools on a Sunday but there is now an even more powerful designer in charge and like the celestial dictatorship of old he is entirely man-made.

With the internet going on strike over proposed anti-piracy laws, the Wikipedia protests only further exposed the excessive amount of time we spend online. Such a powerful new religion now requires a Sabbath. Luxury is a result of scarcity and what leather, travel and prawn cocktails were to the working classes in the early twentieth century, spending less time on the internet will be to the twenty first. As anyone with a compulsive refreshing habit will already realise there is something wrong with having permanently sore eyes.

Online activities are too passive to stimulate and often leaves the mind under-nourished but like junk food served in neon-aisles of 24-hour supermarkets it remains curiously addictive. In a world dominated by Twitter storms and hang outs, there is a never-ending spectre of what the computer industry calls ‘content’. But even the most erudite of web pages will leave you  feeling jaded after clicking the refresh button once too often.

With the Apple Ayatollahs of this world religiously defining their personalities through their digitally branded toys, a dangerous cult is emerging and abstinence is a potential cure. It may involve abandoning your phone and being disconnected for a few hours. Ignoring friends might not seem the most sociable way to re-engage your mind but anything that doesn’t involve being online is time worth cherishing.

Some cellular weary businessmen in the US are checking into ‘black hole’ resorts such as the Black Mountain Ranch on holiday. Granting them a chance to unplug and rediscover their love of literature and human conversation, the resort proudly boasts of having no Wi-Fi or television facilities. A Sabbath luxury of a different kind, these black hole resorts relieve the eyes of tedium by denying access to the greatest communications system of all time.

All man-made religions need challenging and especially one as powerful as the internet.  So when jumping down a black hole feels like a worthy alternative you know it’s time to put down the Kindle and reads as many books as you can.

Rules of Engagement

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Until quite recently the number of friends you had on Facebook really mattered. Friendship was a numbers game and anything less than a hundred confirmed you were of a lowly social status and resoundingly unpopular. In order to seem normal then tagged pictures of you drinking Mojitos with friends were vitally important.

Going to a house warming party must be a public event or otherwise people will think you’re loser that never goes out. Friends are social points and likewise so are the stock greetings you receive on your birthday, which are especially poignant coming from the friends you unsubscribed from three years ago.

In bars and clubs people exchange Facebook details as a user friendly alternative to calling someone. With a new media landscape comes a new set of rules and social etiquette now involves protecting your internet history. Adding a date on Facebook is a potentially ruinous move. Sexy pictures of former partners, neurotic status updates and flirty comments will be revealed to a virgin pair of eyes.

Becoming friends online will inevitably ensure you go too far, too fast and if things do go awry you will be a humiliating click away from the recycle bin. A six month probation period is essential before you can even consider adding a new partner on Facebook.

Since people are growing sick of sharing their most intimate thoughts with idiots they never liked in the first place. Private circles are now becoming increasingly attractive. On realising that you don’t want Jakers, Spanner and the pregnant girl from school following you anymore – social media is gradually becoming more nuanced and exclusive. Rules are therefore required.

With Facebook becoming increasingly unpopular, alternative forms of social networking are slowly taking its place. Agenda setting and forming part of the national conversation, Twitter first began as a smug past time for media savvy professionals in London but has now opened up to the public at large.

Dangerously addictive social media has rewired our brains to such an extent that nearly everyone is now prone to shocking displays of mental promiscuity. Books lie unfinished and articles remain half-read, as the mind diverts towards refreshing a laptop instead. However, as our brains are being rewired to suit the net, the rules of engagement are still being defined.

Self -publicists on Twitter ‘retweet’ praise about themselves and this involves resending a comment to your own band of followers. This a massive faux pax in the social media world. Already such behaviour is frowned upon in dinner parties and gastro pubs as incredibly annoying. Therefore let others retweet praise about you rather than be defined by your own slovenly antics.

It is also important to remember that no one outside of your social circle has any interest in what you have to say. Like the gold rush of the Wild West, the people who made the real money were those selling the spades, not the poor souls digging in the wilderness. Twitter has thus become a narcissistic ponzi scheme full of link exchanges and diversions that people rarely (if ever) pay any attention too.

Social networking remains an illusionary stage and while it may lack authenticity it certainly has transformed almost every aspect of our daily lives. With old media rendered obsolete, breaking news is no longer announced on the BBC or Sky News but on Twitter instead. Falling behind the curve is particularly embarrassing online – like when people tweeted about the death of Amy Winehouse three hours after it went viral in Uzbekistan.

Again like retweeting praise about yourself, announcing old news as an OMG exclusive is not good practice and with over 300 million users worldwide there are plenty of news channels to choose from. If failing to keep up with a modern news cycle is understandable then tweeting #RIP tributes to dead celebrities is certainly avoidable. Empty tributes to movie stars, actresses, sportsmen you had previously shown no interest in won’t reflect well on your brand.

A new social contract is slowly being formed and shedding a few dimwits from the friends list and refining your manners will benefit everyone in the future. Our generation ability to shape and control the rules of engagement is an essential learning process for mankind, as social media will have a huge impact on our future relationships, friendships and personal integrity too. Something that will prove essential when brand building narcissists discover they are nothing but mere noodles on a graph.

Don’t feed the troll

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With internet trolls fuelling a misogyny scandal after British female bloggers complained about rape threats online. Questions have to be asked why the internet allows horrible, vindictive little men (and it’s always men) to threaten radical female writers with gang rape and murder.

Trolls are traditionally perceived as sexually inadequate men living in their mother’s basements. Deeply unhappy they unleash their frustrations out on the anonymous playing fields of the internet, revelling in the attention that otherwise eludes them in real life.

Everyone needs feedback after all, especially lonely young men with right-wing prejudices. Feeling that one has an impact on this world is enough to make a troll feel happy when he retires to his Thomas the Tank Engine duvet covers.

However, it is far too easy to blame the rampant levels of misogyny and abuse on marginalised sections of society. As the majority of abusive comments are composed by seemingly upstanding citizens with families, friends and surprisingly well-paid jobs.

Almost all newspapers are full of deranged comments by readers posting under alpha-numeric pseudonyms. Usually they are one-eyed political nerds parroting their respective party’s views. Unrepresentative of the population at large, they get their voices heard by shouting the loudest.

But like those who enjoy hard drugs and unprotected sex, there is something viscerally thrilling about participating in such terrible behaviour. For people have always derived pleasure from eliciting reactions in others. Getting a rise out of someone is exciting. Classrooms, pubs and workplaces are full of characters that like to goad, provoke and cajole their friends into a reaction.

Socially rewarding and always entertaining, the darker side of provocation can be found on the internet. In this anonymous fantasy land, the risk of being held to account is virtually eliminated. Stripped of all social responsibility the trolls are able to throw muck at their respective targets without fear of reproach.

Female bloggers are subject to disproportionate levels of abuse for commenting on serious issues like economics and world affairs. Writing in the New Statesman several female writers, of all political persuasions, have highlighted examples of the gender-based hatred they are subjected to on a daily basis. Sex is frequently used by trolls as a means of teaching feminists a lesson.

Belittled for being ‘ugly’ and ‘disgusting’, male trolls have threatened to bayonet, torture and rape female writers at bus stops. Exorcising their base lusts and repressed sexual fantasies, anonymous men with laptops and smartphones, instead of engaging fairly with the substance of the argument, subject female bloggers to sordid levels of abuse.

All journalists receive aggressive criticism but radical women in particular are torn to shreds by the lowest-common denominator. What is perhaps most shocking is the mistaken assumption that society has progressed beyond this type of behaviour.

As social media becomes increasingly mainstream and not just the domain of the urban middle-classes, there is a horrifying realisation that beneath the surface of civility, anonymous trolls are shedding a new light on the darker side of human nature. It’s a sad state of affairs that in the twenty-first century, a feminist writer won’t really have ‘made it’ until she is abused by men who probably tortured worms in their childhood.

The Pen is Dead

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Letter writing is an increasingly rare occurrence these days. With the rise of smartphones, there are simply more convenient ways of expressing our feelings. As a frequent note jotter myself, I despair at the slow disintegration of my own handwriting. Although I do take solace in that I still compose my thoughts in legible English, as the shape of most people’s written ovals, loops and slants has been in terminal decline for decades now.

Writing a letter to your friend has almost become a Victorian anachronism; something quaint and romantic but no longer necessary. Like revitalising dead languages in areas they were never originally spoken, letter writing has become a sentimental way to communicate.

Chatting online is more convenient nowadays but handwriting forces you to slow down, to think, to form your thoughts more carefully. Everybody’s handwriting will die out eventually without regular practice. Each year I witness my handwriting deteriorate and I still scribble my thoughts down on a regular basis. But note jotting doesn’t require anywhere near the same level of discipline as writing a letter.

There is something about pressing the tip of a pen against a page and watching your thoughts form right in front of you. Letter writing is a genuinely cathartic experience and it helps you remember things, unlike any messages you may compose online. There is no undo button in real life.

As a former teenage boy of letters, I feel something has been lost by the instant muses of mobile technology. When composing your thoughts on paper, the writer has to form relationships entirely dependent on their written skills. Letter writing is certainly a more genuine way to express your feelings.

Receiving a handwritten letter in the post will always feel more meaningful than a hastily composed email or Facebook message. In fact putting pen to paper feels almost too personal now. Composing something online is easier because the medium provides a cloak of anonymity that a pen cannot provide.

With the evolutionary demise of handwriting being predicted by some experts, there is a now a romantic movement trying to restore the art of letter writing. The Domestic Sluts are kicking off a debate in London this week about social media and how our letter writing has changed since we started emailing. Does it really matter that we don’t write by hand anymore?

On a practical level it doesn’t matter as our need to communicate has never been driven by romantic sentiment. Once technology is established in people’s lives, it doesn’t go away. Indeed the very existence of a restoration movement suggests letter writing is dead already.

Romantic movements are meaning well but they are niche by their very nature. Letter writing was never meant to be a kitsch lifestyle choice. Letters are now exhibited as period pieces in retrospective galleries, where once they lay on the porch floor awaiting to be torn open. With the rise of modern technology we arguably exchange more messages and communicate than ever before. Progress is inevitable but as our handwriting passions slowly die, it sometimes comes at a price.

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