Tag: Old Street

Dark glitter

During rush hour you feel like you’re marching your life down the tube. Going eye to eye with a petite woman in a scarlet coat, I utter ‘excuse me, excuse me’ before heaving my way inside.

Come evening and walking home on foot, I like to claim my life back. With my blue sonic buns keeping my ears warm, I depart from nearby Palestra, a technicolour glass mountain in South London and walk back to Hoxton.

Crossing over Blackfriars Bridge, I take my first steps towards the crystal empire, one that sparkles over demolished warehouses and future proofed roads. A military helicopter drones over the river and casts a security shadow over the city. I feel strangely enthralled by its presence. It’s hard, aggressive and exciting.

Weaving past tourists in cagoule jackets, I navigate past St Paul’s Cathedral towards the Barbican Centre. Streams of scarfs and bobble hats march past me, splitting through a demolished Victorian hospital. The Georgian corner pubs are packed full of businessmen drinking pints of honey but I don’t want to go inside.

Cutting through the motorway tunnel, I navigate over pelican crossings and storm past commuters with stringy headphones. A Tinder match vibrates in my pocket (Anita, 27, 3 miles away) as I stay on course and I arrive at Old Street roundabout.

Commuters are now pouring out of the station towards the glass pyramids on City Road. My neighbourhood is a maelstrom of human energy and piercing noise, I feel exhausted just watching the traffic.

I’ve lived here for seven years now. I have nowhere else to go. The dark glitter pours over me as I complete my journey home.

London Ziferblat

Ziferblat Clocks

Having lived in East London for six years, I can’t think of a more vivid and evocative snapshot of millennial life than Ziferblat. In this utopian Shoreditch cafe everything is free apart from time. De-consuming is the future and there is no better place to start than a reclaimed flat in Old Street.

You can bring your own sandwiches or last night’s pasta, enter the kitchen and drink unlimited cups of tea or coffee. The Russian coffeehouse has a rickety old piano, chess set, and bookshelves full of donated literature. It’s a place for sharing just like you do online.

Costing only 5p a minute, £3.00 an hour, you receive a miniature clock on arrival and fill your name on a card. It’s a local community centre where people come to chat, make friends, and pass away a lazy Sunday IRL.

Ziferblat

With its flowery wallpaper and random assortment of 20th century chairs, Ziferblat is like a romantic cousin of the sixties. Did twentysomethings in the 1960s hanker for bygone eras too? Or did they live in the glorious present like the startup man wired into his Macbook Pro sitting next to me.

For all its charm and utopian spirit don’t expect to find anything new at this co-working place. It’s the twenty-first century and everything has been done already. What you should be asking is whether Ziferblat is more rewarding than what has gone on before?

I can spend hours here and unlike in Starbucks, you end striking up conversations with people sitting next to you. It’s the living room I cannot afford to have.

Ziferblat Winter

Living in a glorified world of connectivity, the pay-for-your-time movement is an opportunity to join a new world order. We must stop buying things we don’t need. And remember you have a right to be here, but at some point you must leave.

Just make sure you stay long enough to have a good time.

Ziferblat London
388 Old Street,
London,
E1 6JE

Old Man Lost In Shoreditch

One balmy afternoon in Shoreditch I encountered a bald grey man in his early seventies wandering along Old Street. Unkempt with his peppercorn stubble and rotund paunch, the elder asked me for directions to London Bridge. We were standing outside a false Mexican restaurant. El Paso – whatever that means. And with the northern line only five minutes away I directed him towards Old Street station and he replied ‘thanks mate, nobody here gives a shit’. Like a Lowry matchstick he shuffled into the distance and I was immediately struck by how incongruous the old man looked.

In Shoreditch everyone is under 35 and riding a bike in the sunshine. Nobody old lives or works here. Unlike other cities or municipalities, there is no natural spreading out of decades. East London is almost entirely populated by millenials. Saplings without roots they have colonised Shoreditch to such an extent that an old man asking for directions now looks out of place.

And then I realised that his world is over: the trains, factories and pints of ale – this has gone forever and technology is now ascendant, whirling over tiny filaments invisibly beneath the soil. Wires that aren’t even wires – it breeds ambivalence among those sharing the very same air.

Soerditch: A Diary of a Neighbourhood

On recently being interviewed by Harry Potter with a beard in an East London warehouse, I left feeling somewhat disconcerted. Start ups are invariably formed by young people and the “Creative Director” interviewing me must have been no older than twenty-two. Here I stumbled upon the modern zeitgeist and felt like a pawn in a profound demographic shift; one where age is irrelevant and children born and shaped by the internet will rule the world.

Despite living in Hoxton for nearly three years I’ve never fully embraced the East London lifestyle. Self-consciously quirky and dripping with acid, even the street art appears alien and vacant. With the big drinks and footwear corporations imitating the guerrilla artists in Great Eastern Street, I sometimes struggle to differentiate between rebellion and multi-national profit.

When young residents tweet references to themselves as “wankers” as a form of cheery endearment, it’s like we’re all permanently trapped inside a hyper-capitalist matrix where nothing will ever change. Post-modernism is a passive condition entirely dependent on technology. Ironic mocking is therefore all we have left.

By paying homage to media fashions, converts will embrace parody to demonstrate their wit and intelligence but they are born within this system and can never leave. There is no future, only a recycled past.

Satirising a contemporary urban world, Adam Dant‘s cartoon exhibition Soerditch, Diary of a Neighbourhood offers an irreverent guide to Shoreditch. Embracing an irreverent newspaper aesthetic, Dant’s sketches provide a mocking guide to the area’s post-1993 residents. And what is most striking about “Tech City” and its glitterati of Wifi-workers, street food vendors and Harry Potter capitalists is the abandonment of history.

There are no longer any relationship with the dead and the Victorian furniture factories have long been scrubbed clean of their industrial residuum. With East London’s past shucked out within a generation, the old warehouses and churches are like fumigated skulls. They are merely an interim host that will exchange hands every thirty years.

While the deceased residents of Shoreditch are ignored their buildings live on vicariously without them. Originally assembled by coarse working hands, there is a natural hierarchy with age and somehow an older building is considered more ‘real’ than something new. History provides an emotional backbone that modernity with all its superficialities and globalised rootlessness cannot.

By mapping this technological and leisure society, Dant’s cartoons provides a wry sense of character and warmth to the area. Shoreditch’s transformation from industrial workshop to a consumer paradise is just another step along the road towards our final destination as archaeology. The Roman Empire lies crushed underneath East London’s converted warehouses and over time Shoreditch will follow suit – a pop up world waiting to collapse.

Soerditch, Diary of a Neighbourhood will be running from 08 Mar 2013 – 26 Apr 2013 @ Eleven Spitalfields Gallery.