Locked indoors and listening to the sweet cry of blackbirds, the church bell strikes noon. I love the songs of spring.
Ambulances and police vans are wailing in the distance amidst the clatter of twenty-first century life. Alien vehicles warding off death and destruction hour by hour.
Indoors I have two suitcases and a blank page for company. I refresh the screen to avoid working. I am subletting from a Roman fashion photographer. The sun beats behind my curtains as they fly from tree to tree.
After a decade of cramped quarters in London, I have travelled over to Italy for one month to ‘work on my novel’. Well not exactly, aside from a few letters and postcards, but you get the idea. On moving to Oltrarno, an artisan district in Florence, I am now adjusting to the concept of space.
I have become so accustomed to living in a box that I feel lost just walking down the corridor. Like I actually have to walk to retrieve my phone if I leave it on the kitchen table. Is this how normal, moderately successful people live? If so, I’m staying in Europe for as long as it remains feasible to do so.
With only three weeks left for me in Hoxton, I finally bought a studio desk in a textile factory. Arriving everyday like a laptop camel in my shorts, I love the counter-culture cliche of having my own office. Like the many regrets you have when time is running out, I wish I had done this years ago. To physically and cognitively separate my work, life and playtime into different components.
Creaking back to the mid-twentieth century, the factory will probably be demolished in 18 months time. Hackney Road is prime real estate location for developers. A debilitated aisle of pre-war housing and cheap grocery stories that connects Shoreditch with Bethnal Green.
The Hackney factory is owned by a picture frame business that no longer makes anything. They import all their goods from China. By virtue of abandoning manufacturing, Studio X was born and I bought my desk space from two Spanish artists with dark chocolate beards.
Like everyone else in the studio, the Spaniards make entertainment for a living. They produce a boutique fashion magazine that has an initial distribution run of 4,000 copies. To boost their income, they sub-let their remaining studio space to freelancers such as myself. I paid £140 a month for a desk and sit alongside a Hackney fashion stylist and her three minions:
- a ginger anorexic doll
- dim-witted posh girl
- a blonde street urchin in a baseball cap
Jackie sources expensive clothes for a Radio 1 DJ with a glorious 1970s afro. Attending photo shoots for most of the day, she delegates the hard graft to her interns, who scurry around London collecting wares on behalf of her DJ client. When I compare it to the soul destroying office jobs I did at a similar age, I am glad they are going down a non-conformist path.
Make do and mend and ignore the naysayers.