City of Lilies

Living in Florence, I feel isolated and cocooned from reality. In the urban metropolitan sense of the word I mean – delayed trains, surly commuters and existential terror threats. Occasionally, I miss the culture and entertainment of London. It’s easier to strike up a conversation with randoms and hope that someone, somewhere cares.

Falling into limbo along the Arno valley, where God meets science and the leaves never fall. My errands are gorgeous and I have the luxury of getting bored. Buying mundane items or attending a movie underneath a sea of light, I am aesthetically richer than ever before.

Watching kingfishers hunting alongside canoeists massaging their perfect bodies. I cross bridges where Nazi munitions once roared and couples in bubble coats take meticulously framed photos. Even with the luxury of time, I can’t stop taking identikit pictures of stars and stripes and Romanesque facades.

Sometimes I wish I appeared in more photographs. Taking pictures of churches and statues, I often feel life is passing me by without anyone noticing. I have no reference of my time here beyond these words. As the numbers thin out, I feel grateful to have stayed here in a period of idle normality. Like I’m experiencing the ‘real’ Florence before our planet swelled dangerously out of control.

Where you could feel reciprocal energy and passion by virtue of being eligible. I don’t know how others find it so easy, but this longing never goes away. I came here with good intentions. I really did you know. Wandering the streets of Florence on a winter’s morning, where the wind never blows and nothing ever seems to stick.

 

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Stony-hearted walls

Even when I have no pressing desire to see or do anything, I always go for a walk along the Arno at lunchtime. Tank up on sunlight and watch the terrible beauty roar down the valley. You can walk for pleasure here. Florence is one of the few towns whose name has an abstract quality and it means ‘taste and fine workmanship’.

Wrapped up in a woollen scarf and a paper thin jacket, I walk past antique workshops and impenetrable doors with iron horse rings. There is an aloofness to this sweeping symphony of stone.

It’s not at all welcoming or open. The Renaissance facades and Protestant-esque churches are designed to keep people out. Florence feels immaculately defensive to anyone walking on the perimeter of her doors.

As the days grow colder, the visitor numbers thin out and I have a winter countdown of my own. Excited and worried about the year ahead, I walk back along the river, trying to catch a sunbeam with my bare hands once more.

Safe house

One morning a vicious buzzing sensation awoke me from my laptop. It had never gone off before. I mean why would anyone ring my door? Nobody knows that I live here and those who do would call me first. My visitor was a handsome lanky man in a 1920’s prohibition style coat and he immediately addressed me in incomprehensible Italian.

“Non capisco. Non parlo Italiano, mi dispiace signor.”

“Okay, sorry to bother you, what are you doing here? Are you on holiday or is this a safe house?”

Somewhat perplexed by his ‘safe house’ line of questioning, I muttered something about AirBnb and he appeared satisfied with my answer. The door slammed shut. Is that what my invisible neighbours are thinking? That I’m a fugitive on the run. Returning to my desk, I began to think they may have a point.

 

 

 

 

The Stationery of Florence Observed

She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it’s going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.

David Nicholls, One Day

When the internet numbs the soul, I surrender to my daydreams and frequent bookbinding and paper marbling shops. I know I could never write anything to justify spending €120 on a leather diary – I just love looking at them. Sometimes I wish I could buy the entire shop, even if my sloppy handwriting would blemish the paper.

Since moving to Florence, I realise that I need very little, aspire for so much and feel constantly bewildered by beautiful things. My London possessions are asleep in my neighbour’s bedroom; a dusty festoon of boxes, bags and cracked plastic crates. A life reduced to an indoor skip.

I’ve never lived in a place remotely worth decorating so I don’t know why I’ve become fixated now. Maybe there is something tangible about wanting to decorate a place that doesn’t exist. A place that will never exist.

It’s hard to say really, but I love the solitary dedication of local artists. Living somewhere renowned for its genius in science, engineering, painting, architecture and sculpture, I remain unenlightened and provincial, but not necessarily in a bad way.

City of Grace

From soaring lust in cocktail bars, to biblical tempests rinsing Ponte Vecchio to tears, I felt an earthquake rumble underneath the Arno. I want something pure and tangible to take place before I leave. Reading news articles about Italy being smashed back to the Stone Age, I shudder to think what might have happened if the tremors had crept further north.

I haven’t been writing much since I arrived in Florence. I expected to post every day before I moved to Italy, but on witnessing such a stoic and beautiful landscape, my clunking Anglo-American views felt irrelevant. I don’t feel qualified to say anything about the Renaissance.

Going local in Oltrarno, with its mustard hues and pine green shutters, I love spotting antique workshops, cheese bistros and incomprehensible wine libraries full of dark dreamy bottles. I’ve been living on the south side of Florence and wake up to the sound of church bells every morning. I hope to stay here until New Year.

Since I settled in my AirBnb apartment, I’ve developed a huge respect for Tuscan architecture and design. I could spend all day taking pictures of studded Renaissance doors, with their symmetrical beauty and iron grandeur. Unlike in Venice, where even sea peasants are afforded glimpses of diamond chandeliers and fresco ceilings, you’ll gain no such insight in Florence.

From the gated communities in the suburban hills, to the brown medieval palaces in the city centre, Florence’s stony gates are drawn high. There is an overriding sense of invitation only in the medieval courtyards, an intellectual pride that goes back centuries.Like everything else in life, this only makes me want more.

As the autumnal leaves continue to fall along the Arno, visitors keep on arriving and much to my dismay, the December rental prices keep on rising.

Everyone I’ve met here has either been an architect, fashion designer or a florist. Florence is the intellectual and artistic capital of Italy. I didn’t anticipate just how literate and well-educated local people would be. Nobody seems to cares what I do for a living, but they are individually and collectively more interested on why am I here. How long are you staying here? For that is the real question I am struggling to answer.

Florence sweet exile

After a decade of cramped quarters in London, I have travelled over to Italy for one month to ‘work on my novel’. Well not exactly, aside from a few letters and postcards, but you get the idea. On moving to Oltrarno, an artisan district in south Florence, I am more importantly adjusting to the concept of space.

I have become so accustomed to living in a box that I feel lost just walking down the corridor. Like I actually have to walk to retrieve my phone if I leave it on the kitchen table. Is this how normal, moderately successful people live? If so, I’m staying in Europe for as long as it remains feasible to do so.

If nothing else, it feels remarkable to no longer be confined to a glorified rabbit hutch. To live in a place that exists in the pages of scripts.