All the world was waiting for bombardments

Across the alley from us was the Paradise Dance Hall. On evenings in spring the windows and doors were open and the music came outdoors. Sometimes the lights were turned out except for a large glass sphere that hung from the ceiling. It would turn slowly about and filter the dusk with delicate rainbow colours. Then the orchestra played a waltz or a tango, something that had a slow and sensuous rhythm. Couples would come outside, to the relative privacy of the alley. You could see them kissing behind ash-pits and telegraph poles.

This was the compensation for lives that passed like mine, without any change or adventure.

Adventure and change were imminent in this year. They were waiting around the corner for all these kids.

Suspended in the mist over Berchtesgaden, caught in the folds of Chamberlain’s umbrella. In Spain there was Guernica!

But here there was only hot swing music and liquor, dance halls, ban, and movies, and sex that hung in the gloom like a chandelier and flooded the world with brief, deceptive rainbows…

All the world was waiting for bombardments.

– The Glass Menagerie (1944)

Pane of Glass

Mulling over tax forms, pensions and environmental collapse,
rotating dry days with fruit and vegetables.
googling symptoms and running on asphalt with sore knees.
stockpiling food and wishing for rain,
a cool sun and rich harvest.

Buying birthday cards and budgeting every day,
with an erstwhile friend in jail and speculating
on whisky shares, home wins and a political catastrophe.

Reading about illiberalism and new wave communism,
in a sticky hot t-shirt, wondering about rewilding and eco-towns,
unable to switch off and fearful of mistakes.

Taking Italian lessons with a new autumn land to map out,
while watching HBO dramas and crime noir stories,
on whatever pane of glass I can find.

Swallows and anarchists

An orgy of swallows swarm over my pre-WWI courtyard every day. From the moment the sun breaks through my blinds, I love listening to them fight and feed. An unseasonable heatwave has seen temperatures reach the early 30s this week. Berlin’s tenement buildings are not equipped for the Anthropocene. I’m not sure we’re designed to work in such conditions.

My flat lies opposite a notorious anarchist commune in Rigaer Straße. Its been described elsewhere as a “squatters Champs-Élysées” with anarchists inked from head to toe running the entire street. As police vans watch them 24/7, the protagonists defiantly hang out banners and clutter the street with mattresses and toilet rims. There are trolleys stuffed full of recyclable bottles, plastic crates operating as seats, and a red Protestant church clattered with Bolshevik bullets.

I’m an invisible tourist in Berlin. Nobody pays any attention to me. Its a bizarre living arrangement in so many ways, but one I will look back upon with intrigue and pride. Like a swallow on a mistimed route, it feels incongruous for me to stay here, with my plain white arms chiming against the grime and the ink.

Montefegatesi

montefegatesi

We drove to Montefegatesi in the Tuscan hills on a dewy spring morning. A lonely cyclist was struggling up the swirling gradients, and songbirds were in full voice. Meanwhile, in the surrounding woodlands, a forester was cutting down his favourite crop. I wasn’t aware of its existence until today.

Since I can’t survive outside an urban colony, I was astonished by its hilltop isolation – that such a remote place can survive without the phantom economy of tourism. Montefegatesi exists in defiance of the great acceleration. I began to wonder how difficult it must be to obtain the essentials over winter. It takes hours to get anywhere.

I lowered my head as we entered a tiny Catholic chapel together – a bucolic cave that once married souls in black and white. Three rows each for bride and groom. It was a reminder of the smallness of our lives. That we are just passing through. We walked along its medieval slabs as two specks in an ossified landscape, one that doesn’t change as there’s nothing left for us to do. Its over you see.

Carrying satellites in our pockets and with sunshine on our cheeks, we departed into the electric green sea.

Fickle fascination

I gave Livia a 150€ cash deposit before she went home for Easter. She’s an Italian fashion photographer who divides her time between Rome, Milan, and Berlin. Her flat is rented out to lucky applicants throughout the year. It was the perfect size for me, and I felt grateful to be selected.

I have a fickle fascination with interior design. I am a late bloomer in that respect. It’s only since I moved around Europe that my visual perspective changed. Livia’s place is a tiny artist’s studio with Caravaggio and Don McCullers books nestling beside driftwood, pot plants, and a black vinyl record.

Virgin leaves sing in the courtyard as the first wasp of the year tries to get in. She has bored angels guarding the kitchen door. Her sofa is ruby rouge like a kiss. I sometimes wonder how I would decorate my place. But it’s time for me to go now. To a new place across the street.

Outside I hear the artist rattling her key.

Blackbirds in Berlin

Locked indoors and listening to the sweet cry of blackbirds, the church bell strikes noon. I love the songs of spring.

Ambulances and police vans are wailing in the distance amidst the clatter of twenty-first century life. Alien vehicles warding off death and destruction hour by hour.

Indoors I have two suitcases and a blank page for company. I refresh the screen to avoid working. I am subletting from a Roman fashion photographer. The sun beats behind my curtains as they fly from tree to tree.

Ferrante fever

Writing from Berlin, I listen to a pianist play a festive melody as the snow settles on Arndtstraße. He plays every day while I type into a mute machine. The Bergmannstrasse area reminds me of Upper Street in Islington with its boutique florist shops. It’s a Christmas card looking for a frame. My book shelves are empty, but I have the Neapolitan Novels by Elena Ferrante to complete before the year closes.

There are entire libraries separating me and her prose.