The Girl of Disquiet

Automat
Automat, Edward Hopper (1927)

Earlier this year, I moved to Lisbon for a spring sojourn because I’m no longer bound by geography to earn a living. From living in the Tuscan hills to the Atlantic Ocean, I romanticise and decay with indecision, but transport my mind and body to beautiful places.

It was sheer chance that led me to spend time with Gabriela. Like many associations in the modern era, I contacted her long before we first met. With life now reduced to a game of cards, I found myself chatting to an introverted soul; one who took esoteric selfies and expressed bizarre reactionary views.

We chatted intermittently in the weeks before I left London. I forget that at times – my early characterisation of a moody intellectual unable to fit in. Her grainy self-portraits complemented this narrative. From the comfort of my phone, I found myself forming judgements on the little messages hidden inside each picture.

For there were peculiarities with Gabriela long before I moved to Portugal. Such as why did a beautiful, well-educated Jewish-Brazilian girl have no friends in the city? It might be innately sexist of me, but I always assume that women have more friends than men.

“You don’t know me. I’m a horrible person,” she told me one evening long after we first met. I have always remembered the brutality of those words – the mean-spirited emptiness.

During that conversation, I encouraged her to download the Meetup’s app so she could meet like-minded people. From coding courses to gluten free spaghetti lessons – you can find a group for it.

“You need to go every day, every week for people to remember you…it’s easier to make friends that way”, I implored to her on What’s App.

It was an all too regular topic of conversation looking back. Gabriela eventually found one that she liked – an open mic night – and I hope she still goes.

There’s more to the picture than meets the eye

After arriving in Lisbon and meeting her in a Restauradores coffee shop, I met a surprisingly upbeat girl (who could never get to the grips with my Scottish accent) who wanted to see music and lights.

With her Bambi chestnut eyes and effervescent glamour, Gabriela’s phone should have been singing with social invites. It made no sense to me why she spent most of her life on her own.

Only for reasons I could never fully understand, she had a childish hostility to Portuguese people, who didn’t like her because she was Brazilian, or they ‘were all stupid’. Then you had the simplistic admiration for Donald Trump and negative social attitudes that would inevitably upset a young urban crowd if she ever publicly expressed them.

I often wondered if her strange views proved to be a barrier in making new friends – it must be lonely and isolating if your outlook on life does not confer to a common consensus.

Faith

Gabriela’s Jewish faith was enormously important to her, and she regularly attended the city’s two synagogues until she unwisely got involved with two senior members, whom only had lust in their hearts.

She also used to talk about the SS commander Adolf Eichmann’s biography almost every time I saw her. It sounded like a depressing exercise to me, but as a secular Scottish man with no religious heritage, I could never emotionally gauge in her tribal sense of persecution.

If nothing else, Gabriela had the courage of her convictions and would openly criticise something she didn’t like without hesitation.

Nighthawks

With insomnia causing her to stay awake until 4 am and her days regularly starting long after midday, Gabriela lived a largely solitary life in libraries and restaurants. She had moved to Portugal to study Edward Hopper as part of an opaque PHD project and previously graduated as a psychologist in Brazil.

But I noticed she never expressed any love or admiration for the American painter, let alone any other artist or art form. That troubled me. I quickly developed an uneasy feeling there were other forces in play when it came to her studies.

Denial

As I shifted my belongings across the city from the Alfama district to the cobbled buzzy romance of Santa Catarina, I would randomly meet up with Gabriela about once a week. Like many people in Portugal going out for drinks was not part of her vocabulary – she abstained from alcohol most nights.

Over plates of steamed cod and grilled chicken, we regularly spoke about her desire for friends and the nocturnal sleepiness of Lisbon. She loved the city’s soul grooves but found it immensely boring. Surrounded by the Atlantic Ocean, there’s a isolationist romance about living in Portugal’s capital – it feels far removed from the rest of Europe.

Unable to leave country unless she goes back to Brazil, her loneliness was further compounded by her academic isolation. Gabriela had no peers, colleagues or even classes to attend as part of her library-based studies.

She did have flatmates in her Graca-based apartment, but they provided no companionship at all. Identifying that everyone needs peers as friends, I once suggested that she got bar job or something. “My father would be ashamed of me,” she stridently told me. “He’s not paying me to work in a restaurant, but to expand and explore my mind”.

I half-suspected her documentary filmmaker father, whom she loved deeply and cited frequently, may have been an overdue influence on her academic career. As I never once detected any ambition from her to teach or write about American realism after she graduated. It didn’t seem to matter either way to be honest.

She seemed trapped in her father’s image, a loving daughter exercising his benevolent wishes in a fairy tale land, forever dining alone like one of Hopper’s paintings.

Epilogue

I last saw Gabriela walking around the Pantheon complex in the Graca neighbourhood, which I belatedly moved too in April. She said she would miss me at the time, but randomly unfollowed me on Instagram a month later.

It must be obvious by now that we had nothing in common. I’m not even sure if she even liked me, but in the absence of like-minded friends, we filled the celestial emptiness together. Sitting amongst the city’s jacaranda trees and art nouveau kiosks, just waiting for something to happen.

 

 

Small talk in the cuckoo’s nest

Carlito gets up around midday and spends most afternoons curled up in his hoodie watching Shakira videos on his phone. I often wonder what he does for a living or why he moved here. While he lies on the living room sofa nursing a diabetic coma from excess coca cola consumption, I suspect he expends most of his energy at the in-drawn breath of dark somewhere in Soho or Vauxhall.

I barely spoke to him during my brief tenure at Bow Towers. Having made the wrong move on returning from Lisbon, I made little effort to ingratiate myself into the flat dynamic.

At times it felt sectioned inside an old folks’ home such were the prudish rituals of Carlito’s live-in-uncle. With my resentment brewing, I made a vow of silence to get me through the remaining weeks.

Living in his mouse box drenched in cheap aftershave and wires, I never got a chance to say goodbye to Carlito. But before I set off for pastures new, I met him in the lift as we floated towards the asylum. It’s been hot recently, its been very hot indeed and after lamely bringing up my inability to sleep, we began chatting as our lives overlapped in this babel of frustrated wills.

Carrying my second large water bottle of the day, I enthusiastically approved of his fitness routine, and with the sun acting like an inferno, we chirped like finches on a telephone wire; discussing free weights, crunches, running and health-related neuroses.

But for all our friendly fitness talk, he seemed somewhat lost to me, like a child hidden in a cupboard in a far away land. I still have no idea what he does for a living or why he moved here to be with his uncle. As like a finch on a wire, it’s all the better to be seen and heard, and fly away as fast as you can.

 

 

Detritus

I’m moving again.

Ten plastic crates are neatly stacked against the wall.

It’s a retrospective bank of words. I have read most of them, but many take up space awaiting their turn.

I wonder what trans-humans would think if they were to uncover my possessions in 300 years time.

Locked away in a forgotten concrete basement.

Crushed by layers, layers and layers of time.

cof

 

 

Roman Road

‘You see that? She accused me of overcharging her by 50p’, said the portly kebab owner to the diamond geezer behind the counter. ‘What do you expect mate? Her son was riding a stolen bike.’ Cue laughter as we drifted into the night, walking home in the midst of a tropical heatwave. One that only becomes bearable after dark, where teenagers not much older than the artful dodger loiter around outside; pulling wheelies and grinding onto kerbs.

There’s a wild and jagged energy around here. You can feel something stirring in the air for everyone is scavenging for scraps, as the night clouds form like white whales swimming across the sea.

Buffering in Bow

Watching the city turning on a light bulb at a time, I got lost on a bus diversion in a blue spectral wasteland. Some grungy Italian boy was dragging his body weight in a suitcase. Are you stopping at Bow Road? Are you stopping at Bow at all? Judging by his muted response, lost boys weren’t the driver’s concern.

As the passengers drifted one-by-one into the night, I arrived back at my latest residence, a baby boomer investment tower in Bow Quarter. Where I desperately find myself wanting to leave, but unwilling to pay for a deposit elsewhere. Make the wrong move in the London renting market, and you can find yourself boxed in at times. In my case quite literally.

When you share a place with randoms, there are lots of dynamics in place, and they only come to the surface once it’s too late. Superficially the flat is plush and modern, but that’s where the attraction ends. There is a corporate sadness from the moment you step inside, whether it’s the generic showroom decor, untouched cooking utensils to the complete absence of human love and sentimentality.

No photos, no books, no records, and certainly no magnets on the fridge.

The landlord stockpiles vitamin tablets and fake tan in the kitchen. The fridge has virtually no food beyond a few eggs, and the dishwasher is stuffed full of plastic bags. He doesn’t adhere to any recycling principles, and no visitors are allowed without his consent. Also sharing the apartment is his Portuguese nephew, who daily consumes protein milkshakes and microwaved paellas for breakfast.

They watch Sky News and Hollywood movies without paying the faintest attention to events or the storyline. Like the pills and fitness supplements they consume, the television is a substitute void to help them get through the day.

My relationship with them veers from bewildered diplomacy to barely concealed agitation. The landlord is a decent, caring man who would never harm anyone, but his innately condescending manner is sending me to the exit door.

One suspects I will be on the move again in July.

Spring awakening

I miss the visual energy of running away. How the seasons shift from slate grey to rosy bloom, and that everyday my legs soared with matter. Beauty requires strength in Lisbon. You have to graft, pound and dance every time you leave the house. There were plenty of dull, creeping afternoons and equally languid evenings, but life felt more tangible that I didn’t seem to care. Its a more romantic place to live quite frankly. Life is good when you can read books after dark.

The promise of summer

I wake up to the sound of roosters at the break of dawn. It is my favourite sound of the day. Everybody hears them, but nobody knows where they live.

Lying on the mattress floor, I await the roaring hiss of trams outside my front window. I love their rickety groove in the mornings. How they rattle, twist and graft their way through the dust. There is poetry in the decay, especially in that decrepit slum hiding underneath the castle.

Dancing past tuk-tuks with my rucksack, I arrive at Portas do Sol and gaze upon a particularly tender shade of blue. You never quite tire of seeing it – the cocktail beauty stirring with Atlantic-bound voyages and African swallows.

If you arrive in the right place in life, the promise of summer is a joy to behold.

 

 

Rent-a-soul in Lisbon

Alfama tram

Since I moved to Rua dos Remédios last week, I’ve been questioning my right to stay here. The right for me to live wherever I want as long as I have an economic licence to do so.

My first impressions of Lisbon’s Alfama have been bittersweet in that respect. The melancholy lanes and decrepit beauty of the hilltop souk make it a wonderful place to draw. The city’s serene and crumbling tiled facades are magical in almost every shade of light.

cof

Climbing up the dilapidated streets, listening to Fado singers and rickety custard trams, is like being in Paris and Havana simultaneously. There are cranes and scaffolding in certain places, but Lisbon is not a global finance metropolis. There is no return on your investment here.

My AirBnB apartment has been a shambles from the day I moved in. The shower is like a scene from Psycho, the hallway doorknob fell off on arrival, and there’s precious little hot water in the kitchen. In many ways it’s like a horror Tinder date, where your date’s photos were taken ten years ago, but you’re too polite and sensitive to cut it short.

Like many visitors to the Alfama, I’ve been using AirBnB as a lifestyle experience without thinking of the consequences. In that my presence could do more harm than good? Of course, I spend money that goes to local businesses, but I’m not even remotely rich, so my economic impact is minimal at best. Otherwise I contribute nothing to Lisbon if I am being honest.

I decided to move to Lisbon for a couple of months because it’s a popular place with freelancers. Technology has made it easy for me to move cities as my current job can be done remotely online. With my Hoxton possessions stored in a East London warehouse, my loves, jobs and experiences are rented just like my homes.

cof

Watching old Portuguese ladies pick up their groceries alongside tourists with cameras, I’ve come to realise that I am part of an invasion. One that’s taking place in historic cities all over the world. Individually and collectively we contribute little to the local community apart from money.

Co-existence brings great benefits, but its an uneasy experience at times. The world’s population and technology is accelerating faster than local people can adapt to change.

dig

My consumption is welcomed by restaurants, cafes, shops and sub-letters, who reap the rewards of my wanderlust. But hidden amongst the decay, I uncovered graffiti calling out tourists as thieves and pricing locals out of their homes.

As a tall northern creature with urban headphones, it made me feel like a Starbucks chain taking over an independent tea shop. Am I destroying what I came looking for? The graffiti led me to question the morality of sub-letting in places such as the Alfama.

I don’t have any answers, other than it’s for governments and communities to regulate and protect their citizens from excessive rent rises, especially in culturally sensitive areas.

If there are better rules in place, the letting companies and property owners will have to respect local resident’s rights first. As a consequence, I won’t be able to sub-let so easily either, but as you’ve already deducted that’s hardly a tragedy.

In light of my ramshackle apartment and cultural awkwardness, I’m now moving to another part of the city. One that’s less culturally significant than the Alfama. It feels like the right thing to do in the circumstances. I hopefully won’t feel like a white settler with headphones when I move to Santa Catarina. I will hopefully will be able to have a proper shower there too.

All because I’m free to choose.

 

 

 

Mirrors

stoke-newington

Walking along Scandi wooden floors in my new living room, I see my reflection smoulder like an Instagram picture. Techno base lines reverberate from the upstairs landing and blonde ambition pours down from the skylight. Stoke Newington is my fourth home in less than six months.

With its Georgian ceilings and sash windows chilling my winter bones, I wake up in an Lennon-esque bedroom. My possessions fill up the white-cube shelving and black wires dangle unceremoniously from the wall. The bed looks better than it feels, but its only six weeks and you can’t win them all.

Sitting in the living room opposite a plasma television, I wonder how I would do it differently. How would I decorate a blank canvas? I wouldn’t know where to start. I still can’t even work out how to use the smart television. I’ve never had to use one until now. Isn’t it funny how you measure your life by your inability to keep up with a technology you no longer use.