The revolution that takes place in your head, nobody will ever see that.

Florence sweet exile


After a decade of cramped quarters in London, I have travelled over to Italy for one month to ‘work on my novel’. Well not exactly, aside from a few letters and postcards, but you get the idea. On moving to Oltrarno, an artisan district in south Florence, I am more importantly adjusting to the concept of space.

I have become so accustomed to living in a box that I feel lost just walking down the corridor. Like I actually have to walk to retrieve my phone if I leave it on the kitchen table. Is this how normal, moderately successful people live? If so, I’m staying in Europe for as long as it remains feasible to do so.

If nothing else, it feels remarkable to no longer be confined to a glorified rabbit hutch. To finally live in a place that exists in the pages of scripts.

What you missed


City Road has a godlike spectacle after dark. Nothing ever stays still even at the strike of midnight. It has grown astronomically since I first arrived in 2008. You can feel simultaneously exhilarated and exhausted just staring at the traffic.

Walking home amongst glass pyramids and pelican cranes, cycle couriers whistle past me to deliver restaurant food at breakneck speed. Food app riders fascinate me. The push, tug and hurry of modern on-demand consumerism. With their branded helmets and lime green cagoules, a new urban tribe has emerged – a brushstroke of ambition in a globalised world.

Before the skyscrapers were built, I remember Daniela and I moving here and feeling like we had both made it. Sure, the bathroom was a bit rough and the kitchen underwhelmingly small, but this could work. It was my first major foothold in London and after making a series of choices, I won’t be going back.

Freelancing in pre-hipster people pubs you become convinced that London is the only place that matters. I’ve done this before you know and returned six months later with a thirst for knowledge.

How I missed terrifying blitz of technology, roaring energy and the empty vortex of thousands upon thousands of wasted words. Uneasy jitters are settling in now. I hope I’ve made the right decision. Shifting all my boxes next door and leaving without a key.

Last days of the counter-culture precariat


With only three weeks left for me in Hoxton, I finally bought a studio desk in a textile factory. Arriving everyday like a laptop camel in my shorts, I love the counter-culture cliche of having my own office. Like the many regrets you have when time is running out, I wish I had done this years ago. To physically and cognitively separate my work, life and playtime into different components.

Creaking back to the mid-twentieth century, the factory will probably be demolished in 18 months time. Hackney Road is prime real estate location for developers. A debilitated aisle of pre-war housing and cheap grocery stories that connects Shoreditch with Bethnal Green.

The Hackney factory is owned by a picture frame business that no longer makes anything. They import all their goods from China now. By virtue of abandoning manufacturing, Studio X was born and I bought my desk space from two Spanish artists with dark chocolate beards and floral shirts.

Like everyone else in the studio, the Spaniards make entertainment for a living. They produce a boutique fashion magazine that has an initial distribution run of 4,000 copies. To boost their income, they sub-let their remaining studio space to freelancers such as myself. I paid £140 a month for a small desk and sit next to a Hackney fashion stylist and her three interns. They include:

  • a ginger anorexic doll
  • dim-witted posh girl
  • a blonde street urchin in a baseball cap

Jackie sources expensive clothes for a Radio 1 DJ with a glorious 1970s afro. Attending photo shoots for most of the day, she delegates the hard graft to her gophers, who scurry around London collecting wares on behalf of a minor celebrity. When I compare it to the soul destroying office jobs I did at a similar age, I actually feel relieved they are going down a non-conformist path.

For none of us have come out right in the wash, but we make do and mend on our own.



Double room for rent near Old Street


One of the benefits of working independently is the freedom to have absurd flat viewings. Like this morning when a muscly tattooed Polish chef, who couldn’t speak a distinguishable word of English, and his Irish brother-in-law came round to see my flat.

Standing together in Greg’s old bedsit, an austere collection of second-hand furniture and sunlight, I politely explained my role and responsibilities. My lips were parroting the same old lines, a puffing collection of melancholy sighs and amusing asides.

Has it really come to this?

With his industrial strength tattoos and rock warrior attire, I instinctively felt Marius’s future lay elsewhere. A skittish energy filled the room as he sat down, like a naughty child entering a doctor’s waiting room without any toys.

Immediately detecting my unease, the Irish chaperone gave bizarre assurances on how ‘sweet and clean’ his brother-in-law was. That he would be a great flatmate and I would barely notice him at all.

‘You seem like a good bloke Daniel, we just need to get him settled for a month before we find something more permanent.’

Marius’s painted biceps became more pervasive as he nodded along with his mentor’s sermon. At this point I began to feel sorry for the guy, like he was being auctioned off to anyone desperate enough to take him.

‘What a great place Daniel’s place has here…wouldn’t it be great to live so close to the canal?’

We then all shook hands at the front door and promised to get in touch the following morning to confirm. Of course, none of us did. Flat viewings oscillate from white lies to abject desperation in my experience. A mini-series of half-truths and lips sharpened from making judgements.

Wandering muse


As I walked down to Brick Lane with my portfolio on my back, heavy with words and responsibilities. I arrived at the Kahalia Cafe and made eyes with a wandering muse. Sitting underneath the skylight with her laptop, I remembered writing about her in 2012, how she sang so beautifully alongside a bearded minstrel in London Fields.

She became a passing bohemian fancy of mine back then, with her rose petal clippings and strung bow guitar. I’ve noticed her sing a few times in local flower markets, and looking back what made her so attractive was the serene purity of her voice.

After spotting her in the coffee shop, I recalled watching her at Broadway Market with her cello partner one lazy autumnal morning. There was something tangible in the air that day, the weight and tenderness of her voice was beautifully controlled.

Her spirit was free and she appeared (maybe somewhat naively) to live an innately gifted life, one far removed from the bearded entrepreneurs and fat posh mummies sitting next to me. Someone free from the ugly necessities and masks we must wear just to survive.

Alas, I kept on tapping away in the distance, knowing that someone – someone wonderfully talented can survive and prosper by making beautiful things.



It’s been a while since I was in Scotland for something other than Christmas. Over time it becomes a character in your head rather than a place you call home. From the Angus glens, which shine as brightly as a yellowhammer to the beautiful arches of Old Edinburgh. I take my luggage with me, but I still can’t let go.

I began thinking how I could live in a grand Edwardian flat close to The Meadows. Avoid the bagpipes and walking tours, and live undetected with a metropolitan glare. Scotland is a complex, frustrating and deeply beautiful place. I have my reservations, but maybe here I can construct a narrative that someone can believe in.

Back in London, where I’ve lived for nine years, days become weeks, weeks become months and you tally up the slow, incremental inches of progress. But it takes so fucking long doesn’t it? Why does it have to take so long?

For every moment I’ve endlessly replayed in mind to the point of fixation. Like you’re on the cusp of something brilliantly promising and then it just disappears. Its the beauty and rhythm of her mind that I miss the most. How it just took off like a swift in the summer wind. For she’s a far cry from this artificial paradise – a home to everyone and none at all.

A celebration of commonality


All I want to do is make connections with people. Join up the unspoken sighs we privately share and express them vividly in my own language. Like when I ordered a ‘wee’ bottle at the theatre and spoke to a barista about the respective softening of our Scottish accents.

A wee, friendly conversation might be a normal everyday occurrence in any other city, but in London this was a borderline epiphany. For a few minutes, I experienced a kindred sense of belonging I hadn’t felt in years. All she did was ask me which part I was from.

Stonehaven? Is that right? I’m fae Barrhead myself. Softly spoken and yet miles apart, a celebration of commonality by a cash till.

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