Arriving in a misty haze at Pisa Airport, I took my coach seat and felt a renewed love for nature. With steam rolling off the fields, I remembered being driven around Aberdeenshire as a child, watching herons and buzzards roam in a far harsher playground. Simple moments stirs memories as fresh as the soil. An earthly reminder of who you used to be and what you have become.
Florence marked a departure point for me last year. I gave up everything and nothing to live here last October. It’s an uneasy feeling to leave home without a key. Unsure of who you might meet or anyone at all. It’s a weightless feeling I guess – you are finally free of routine.
Settling into the finest apartment of my adult life, I was astonished by the timeless perfection of its medieval palaces and gardens. Just going to the supermarket and pouring over the sweet variety of fruits, herbs and vegetables became a daily highlight. I can’t cook to save myself but Italian ingredients made it almost fanciful.
Walking around Florence city centre is like entering a children’s picture book. You have to adjust to the Duomo’s scale and size for context. Brunelleschi’s snowy mountain dominates the Arno valley for miles – a majestic beacon of engineering that has glittered for over 500 years. The terracotta temple lends a secular prestige to your visit. Humans with no computers designed the Duomo through their wits and determination alone.
Settling into my Oltrarno home, I became fascinated at how Florentines’ still make things with their hands. Unlike the gated walls of their stately homes, the city’s workshops brim with creativity in full transparent glow. From boutique chairs to bird cages, an artist is sweating in paint and sawdust on almost every side street.
I loved the bookbinding and cartographer shops, many of them so expensive they only have to sell one item every three days to survive. Via Tornabuoni is famous for its opulent displays of garments, watches and leather shoes. No one remotely normal can afford to buy anything here, but it’s another tribute to the city’s self-confidence.
Such is Florence’s timelessness, there is a melancholy in returning this year, and everything is the same. It feels like a parallel universe in that respect. I exist in multiple dimensions through my work and metaphysical friendships, and this epilogue feels uncannily familiar. Like I never really left, but the romantic fable has shifted, and I can’t reclaim the optimism of before.
I have been focusing more on nature than art this time. I took the number 7 bus to the Fiesole, a scenic hillside village near Florence, and felt like a schoolboy walking amongst the vineyards and forests. Almost like I had stepped into an Italian mirror of my Scottish childhood.
Seduced by November sunshine, I walked for miles to neighbouring Tuscan hamlets with my smartphone operating as a map. It felt glorious for the few hours it lasted. For we travel for romance, we travel for architecture, and we travel to get lost.
During my daytime crossings over the Arno, I often wondered what lay beyond Fiesole’s green hills. Even more so when I ran along the riverbed at lunchtimes, pushing my body harder and faster than any inner-city slog, where my thighs would tremble like jelly on the final bend home.
Oltrano is no longer my home anymore. I am currently staying in a small townhouse outside the city’s walls in San Frediano, and coming back was never going to be the same. On returning to the same town and place, you remember how little there is to do after sunset, and that Florence does not exist to celebrate art or life itself, but rather, it is a fortress to protect it.