A realist, in Venice, would become a romantic by mere faithfulness to what he saw before him.
Arthur Symons
As beautiful as a thousand suns, the lagoon port of Venice is too romantic to survive. From a distance it is like waiting for your heart to die. How such a place could ever come into being is beyond the imagination of the modern traveller. Once the greatest trading port of the Mediterranean, this extravagant casket of wonders is ravishingly sad, but no longer has an imperative. It merely exists for the eyes of others. There is a melancholy sadness on the fairytale bridges, as the inevitability of the city’s fate has become a metaphor for life itself.
Facing aquatic extinction from rising sea levels and mass tourism, Venice is most definitely in peril. Capturing the magic of the city at Somerset House, the Real Venice exhibition highlights the unique beauty of its walkways and vulgarities of modern tourism. With subsidence rotting the fabric of the city, the La Serenissima faces an irreversible numbers of visitors and slow death of its indigene population. For Venice has no purpose in the modern world. In this city of footsteps, the sadness lies in the visitors, the starling masses who take a million pictures but never open their eyes.
As a contradictory rule of travelling, mass tourism is generally regarded as a crass and vulgar phenomenon. With the world becoming increasingly familiar due to affordable air travel, the paradox of the modern traveller lies in visiting the same places but simultaneously wanting to avoid people just like them. Having previously been a recreational playground for the Victorian upper classes, the city of Venice attracted tourists long before travelling went plastic. Back then, of course, travelling had been the reserve of the rich and famous. In this nostalgic world full of surprises, the fantasy of travelling in another era feels impossibly romantic or to quote Woody Allen a ‘denial of the painful present’.
However, it is now the painful deluge of foreign visitors that spoils it for everyone. Even in a city as beautiful as Venice, there is no escaping the banality of multi-lingual tours, guidebooks, suitcases and universally branded hotels. With progress comes opportunity for all and with progress there will come a price. Venice is suffering from rising house prices and the local Venetian population are slowly being erased from history in favour of foreign tourists. The most romantic city in the world has now become a lavish peacock serving the whims of visitors from overseas. A city submerged not only by rising tides but a lack of opportunities. Nobody lives there, except on holiday. A sad reminder that you are nothing but a passing visitor, and yet that is what we all are really.
Real Venice
Somerset House
Strand
London
WC2R 1LA
Exhibition runs until December 11th 2011.
Related articles
- The Real Venice photography exhibition (telegraph.co.uk)
- Photographers who are throwing Venice a lifebelt (telegraph.co.uk)
- Grand illusion (boston.com)













