Angel’s Delights

Anyone walking along the Regent’s Canal in search of a hungry fix is advised to diverge from the towpath towards Angel’s Delights. Curiously anonymous on the web, the Dalston cafe has no internet presence and is tucked away on the unremarkable Dunston Road. Situated inside a gritty seventies warehouse that has been kindly acquired by Noble House Properties, Angel’s Delights is not going to be a Hackney cult for much longer. The Jamaican jerk cafe is a stone’s throw away from the East London line, and this white arc of progress has only further gentrified a once shady and undeniably violent area.

Since they serve Jamaican dishes inside a premise the size of a toilet with a pavement cafe sheltered by a black canopy and a stolen tyre. No one should expect to pay for their jerk chicken and beans using a chip and pin device. Cash is the only currency down by the canal and unlike the gentrified Towpath Cafe; Angel’s home cooking is just as expensive but served in a less pretentious fashion. Admittedly the squeezed bottles of lemonade are a bit dear at two pounds per head and while their jerk chicken is lusciously tasty – some dishes may leave you coughing up bones.

Situated upstairs is a hippie squat located inside a former sowing factory and this provides the jerk cafe with a colourful selection of customers. More regular punters will be familiar with a beautiful Serbian model and her punk-lite Ken Doll boyfriend, who like to dance with the Jamaican owner in-between orders. On the nearby towpath the bubbling current of East London’s changing population is forever rising to the surface – angry cyclists, sporty female joggers, junkies, estate teenagers with fishing rods and skinny blonde twins carrying bags of cider from Tesco. Many of them stop by to ponder their next Jamaican take away or spot of lunch by the water. Time is not on their side. The bulldozers are due to arrive in August and will soon be constructing ‘beautifully designed 1, 2 and 3 bedroom apartments with the finest contemporary specification’.

With economic progress comes homogeneous flats and the canal is changing shape at a terrifying pace. Relics of the industrial past with smashed windows and graffiti, which have since been reclaimed by the arts crowd, possess a feral quality like the birds on the water. During the breeding season, coots defend their territories by screaming, flapping their wings and pecking at intruders. Coots may well soon be only thing wild and adventurous left on the canal, as luxury properties continue to rise from the ruins of the past and wipe Angel’s Delights off the map.

Angel’s Delights
Dunston Road,
London,
E8 4EA

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A View from a Bridge

Dream Collapsing

On flying over Northern Spain on route to Oporto, I remarked to a Portuguese nurse sitting next to me about how wonderfully green the landscape appeared from above. With evergreen forests and misty pockets of silver trailing in my wake, the descent upon Portugal’s second city had already begun to take shape. Any assumption that Portugal is a geographical extension of Spain is woefully misleading on a number of levels. Unlike the Iberian aridity of the south, the Douro region is predominately Celtic and Germanic in stock. Situated in the corn, cabbage and port region of Portugal, the northern green fields could easily pass of as Ireland to an unknowing visitor. For there are more flowers and bushes in Portugal and there are more trees, including the sprawling eucalyptus, which are noticeably absent on the neighbouring Castilian plateau.

Somewhat fittingly Portugal has now followed the Irish Republic to become the third member of the eurozone to be bailed out by the EU and IMF. Economically weak in an uncertain world, the Portuguese frontiers have remained virtually unchanged since 1139. They removed their last dictator, António de Oliveira Salazar, in 1970 and had a democratic revolution in 1974 and like the Portuguese nurse on the plane; they are one of the most congenial of Europeans.

Youth in Revolt

According to my erudite source on the plane, the country’s student population celebrate Queima das Fitas (Burning of the Ribbons) in the first week of May. On arriving in a university town on the verge of a drunken apogee, I checked in at the Porto Spot Hostel, and booked myself a sleepless night inside a white walled dorm. Despite my room having the capacity to host three weary bodies, I fortunately only had to share with a pepper bald German man.

Travelling is a privilege and after exploring the continent in my early twenties, I still have fond memories of budgeting every penny and dining in car parks eating ripped bread and cheese. Despite growing up and finding myself desperate to progress beyond shared accommodation, I all too frequently discover the invisible hand of economics has a far greater influence over my upwardly mobile pretentions.

Fortunately the money you might save on accommodation can be invested elsewhere and on departing the boutique hostel, I began to explore the melancholy splendour of Porto. Most normal cities would consider being labelled ‘workmanlike’ an insult and the commercial district does stir with ordinariness. Deeply atmospheric and exceedingly ramshackle in places, many of the city’s buildings are in a dilapidated state of repair. Most of their finest religious buildings are adorned with blue mosaic tiles, which are the ubiquitous emblems of Portugal, and provide the country with a truly beautiful motif.

Close to the Praça dos Leões lies one of the most outlandish and beautiful bookshops in Europe. Opened in 1906, Livraria Lello is an intricate wooden cathedral with a stunning fairy tale staircase inspired by the Parisian galleries of Lafayette. There are not too many bookshops in the world with a neo-Gothic staircase and a stained glass skylight. With a luscious red carpet leading its readers towards a literary heaven, English speakers may not be able to buy a book in a familiar language but the art nouveau exterior is worth the hike up Rua das Carmelitas on its own.

On arriving at the 18th century quayside, the iconic double-decker bridge, Ponte Dom Luis I, provides a truly magnificent spectacle across the River Douro. This marine blue bridge is one of the wonders of Portugal. Hosting a progressive and modern tram network and providing stunning views of the Cais de Ribeira quayside and Vila Nova de Gaia. Squawking seagulls can be seen following wooden boats full of white-shirted visitors from Germany and the Home Counties. And old ladies and housewives can be seen hanging their washing out to dry.

Porto’s charms lie in its unspoken cracks and idyllic forgetfulness, something no tourist board could ever successfully advertise. More discerning visitors to Porto like to enjoy samples of Portugal’s famous port lodges such as Sandemans or Grahams in the independent municipality of ‘Gaia’. Famous brands advertise their lodges using large Hollywood signs in a bold attempt to seduce tourists over from the Cais de Ribeira to the rickety winding lanes of time forgotten.

Bom Apetite

Vila Nova de Gaia is a romantic throwback to the 1930s and grapes have flown down the river for over three centuries. This historic process helps provide wine lovers across the globe with ruby, tawny and white tipples, which are traditionally enjoyed at the end of a beautiful meal. Fittingly back at the river front, I enjoyed my first evening dish with a regional Porto delicacy – the infamous Francesinhe. Scotland would never have been able to live it down if they had served up this culinary invention. Drenched in saturated fat and quite literally a heart attack on a plate, Francesinhe means “little French girl” in Portuguese. Inspired by the story of a returning emigrant, the sandwich’s composition involves multiple layers of bread, cured ham, sausages and steak, which is outrageously soaked in melted cheese and tomato beer sauce.

Sitting on one of the hundreds of outdoor café tables looking across the river, I instantly regretted not eating one of their freshly caught sardines. The local ‘delicacy’ is so violently nefarious, I personally believe the Francesinhe should made be illegal under European Law. Alas not all southern Mediterranean cuisines are healthy but Porto remains a city with a poetic sensibility. From the lush vegetation of its surrounding countryside to the urban charms of the city centre, rarely if ever will visitors be offered such a rich casket of wonders.

The Madness of Bom-Banes

There is something undeniably satisfying about being ‘in the know’. Almost everyone loves the feeling of being in possession of secret information, and whether its office gossip, pop trivia or breaking shocking news. There is a journalist within all of us that wants to reveal our latest exclusive to malnourished audiences. More discerning visitors will look to avoid mediocre chain restaurants on holiday, especially when they can surprise their partner with an independent gem hidden only a few streets away. Knowledge is power and newspapers are always offering tips on where to find hidden nooks and fairy tales in any given city.

With hints on where to go plastered all over the internet, I followed a tip off on a recent trip to East Sussex and attended a hitherto undiscovered café in a typically offbeat location. Situated in an unremarkable side street in Kemp Town, this marvellous Belgian café is unlikely to be bought out by Zizzi anytime soon. Even by Brighton’s famously bohemian standards, the madness of Bom-Banes has led to previous visitors describing the place as ‘wacky’ or the loathsome ‘quirky’.

Bom-Banes is run by Jane Bom-Bane and her partner Nick Pynn and their eccentric vision follows in the British music hall tradition. The upstairs dining area is liberally sprinkled with children’s drawings, spring flowers and Aesop’s tables playing 1920’s cartoons. One of the charms of the venue is how young children turn up to do their homework and are treated with the same respect as the musicians rehearsing in the Moroccan parlour downstairs. Indeed the café possesses so many surrealist twists you would be forgiven for thinking the venue had originally been conceived in a dreamy child’s mind.

With its crazy mechanical tables, Belgian dishes and beautiful white beers, Bom-Banes is certainly not the place to go for egg and chips. In this mad bohemian café one of their most endearing qualities is how the owners and staff actually talk to you. On living in a transaction based society that revolves around chip and pin relationships with a robotic sounding woman informing us about an unexpected item in the bagging area. It can come as quite a shock to receive such a friendly and personable service from Jane Bom-Bane and her musical friends.

Anyone expecting a quiet romantic dinner is advised to avoid Bom-Banes on musical nights because it requires the right sort of character to attend. Quiet, shy or diffident people might find Bon-Banes a bit too much when the eccentricities are in full flow. This is the price you pay for wanting to be different though. Otherwise their homemade food is absolutely lovely with ostrich, salads and Mediterranean tapas available at very reasonable prices.

Even if you love the cuisine some people may well find Bom-Banes too garish for their tastes. However anyone walking along the fabled road less travelled should be prepared for the unexpected. With my untapped niche firmly in my pocket, I now possess a secret unknown to the majority. Self-satisfaction is never far away in this respect. If it’s off the beaten track, then I want to be on it.

Spring Break

On working in close proximity to Regent’s Park, I cherish the advent of spring as I can now go for a lunchtime walk inside the most attractive park in London. The stirring of nature’s passion has seen thousands of people descend upon the beautiful green plains in the last few weeks. This precious unpaid hour is always welcome in warmer climes but even during the harshest winters I have stoically insisted upon every second of my lunch break.

As a young child the clattering of the school bell signalled an hour of endless possibilities. One lunch time (a long time ago) in northern Scotland, I led a stunning coup d’état against our primary school matron, as hundreds of children gained their first experience of a democratic rebellion. Football had been banned on the school banks because it was supposedly too wet underfoot for hundreds of little feet to chase after a greasy leather orb. A handwritten petition circulated down in the concrete jungle and my fellow rebels enjoyed our moment in the sun, only to be reprimanded by an hour-long detention on the strike of the home time bell.

Despite having no discernible talent for football, I still fondly remember coming back to class soaked in sweat and mud. The ferocious competiveness of our games and high pitched squabbles over what constituted an imaginary bar are one of the few things from school I actually miss. Growing older and being fortunate enough to attend two of Scotland’s finest universities, I realise now that everyday is like a lunch break for an arts undergraduate. Student life on a picture book campus will provide for a wonderful education and grants unlimited access to nearby bars, cafes and newsagents. There is no such thing as a late lunch when you crawl out of bed at the back of noon.

On graduating and having to pay rent in the city of Glasgow, I found myself temping for discredited financial institutions and lunch suddenly became very precious indeed.  When the clocks go back in October, it’s almost like the Arctic Circle imposes a military curfew on Scottish daylight but I always left the office in order to claim my sixty minutes of freedom. Glasgow is like a miniature Chicago with its American style grid system and wanting to claim my precious hour of daylight, I would munch upon cheese and gammon sandwiches, crisps and two pieces of fruit on a well healed parade around the city.

Glasgow is one of the greatest Victorian cities in the world but since I was unwilling to power the glass turbines of big business for the minimum wage, I departed southwards towards London’s advertising and digital heartlands in Goodge Street. Lunch time suddenly became a flexible experience and I can now eat some of the finest cuisines in the world on my unpaid hour. Unprofitable media companies squabble over free deliveries of little Greek pies and nearby cafes, bars and stylish restaurants offer a penny sucking haven for anyone wanting to escape the soulless matrix of databases, targets and Microsoft Excel.

As the clocks move forward and the vernal equinox stimulates life on previously cold soil. The green tranquility of Regent’s Park attracts a primordial gathering around its duck ponds and playing fields. Lunch time may only be one hour but it remains universally celebrated across the Western world and something savoured by school children, workers and chief executives alike.

Paradise City

The slippery side streets of Soho have entertained the capital’s residents for centuries and it remains one of the most seductive landmarks in Central London. Renowned for its trashy lingerie, drug dens and peep shows, the unofficial red light district is a honey pot of illegal activities. Despite frequent attempts to clean up its image in advance of the 2012 Olympics, the back alleyways of London’s West End retain a downtrodden appeal. Blue tooth messages are sent to visitors walking past illegal brothels, and friendly Russian gangsters are fond of marching their customers to nearby cash points for bonuses. These are obviously not the type of establishments you check in on Facebook but anyone who goes for a “massage” at 5am probably does get what they deserve.

Although to dismiss Soho as a magnet for illegal vices would be extremely misleading. For while some men wander in search of foreplay with their trousers on, Soho is also home to some of the finest restaurants and bars in London. The relationship between sex and food is the belief that one tends to lead to another, irrespective of which comes first. Soho luckily provides both in abundance and anyone caught stumbling along say Green Court will realise that Yalla Yalla is one of the finest cheap eats in London. The Beirut food court is notoriously difficult to find but one of the attractions of eating out in Soho is that you get lost every time and nothing ever feels the same.

Attending restaurants in Soho is a bit like going to the theatre, where customers find themselves auditioning to play the lead role in a make believe world. Foreign themed restaurants are fond of describing themselves as ‘authentic’ but the word is misleading. A murky back alleyway in Soho is nowhere near the Middle East and while the rural taste of Lebanon at Yalla Yalla has never been in doubt. There is nothing remotely authentic about Soho.

Whether its old men drinking in 1940s pubs, PR darlings sipping cappuccinos or film journalists scribbling inside darkened rooms; the Soho peep show continues to entrance and deceive its audience. Constantly on the run and never dull, the side streets are awash with sexual favours and androgynous ecstasy. Soho meanwhile remains as slippery as ever and will put on magic shows for its audiences longer after 2012. Whether the law authorities will continue to permit such activities remains to be seen.

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New Found Land

On wanting to visit the parts of London that Time Out and Spoonfed don’t care about, I decided to make a voyage to the hitherto unexplored district of Wapping. The former maritime community has recently been transformed by the East London Line. The billion pound train line has carved open the capital’s rust belt and provided London with its first community tube service. By grafting through the industrial scars of the east, the fresh orange line is largely free of tourists as Hank and Wilma are highly unlikely to be dining in Shadwell on vacation.

The East London’s line extension northwards towards Highbury and Islington has led to a rush of culture trails and alternative pub crawls along its tracks. With visitors now able to celebrate the rusting underbelly of the capital, the forgotten holes of Wapping and Shadwell are becoming worthy of further exploration. The housing market along the East London Line has soared since its completion last year and as HSBC threatens to abandon the UK for tax breaks abroad. The banker sponsored affluence of Wapping becomes immediately apparent on arrival.

Best known for hosting the unelected court of James and Rebekah, the Docklands community is also resting place for the financial services industry. Wapping’s streets appear to have been scrubbed clean with a gigantic toothbrush as BMW’s and Mercedes ripple over the cobbles of the past. As the wealthy symbols of city boy lifestyles flaunt their tyres along the new streets of commerce, reminders of Wapping’s docking past hang from the walls of converted warehouses.

There is however a residential emptiness to Wapping and the sound of cranes, barges and tugs have long since been transferred to India. The Victorian facade of warehouse conversions provide a crisp melancholy flavour and nostalgia is readily available on tap inside the Prospect of Whitby. Dating back to 1520, the rickety old inn sits on the banks of the River Thames and overlooks the financial crisis on a daily basis.

Regrettably even one of the oldest of pubs in England still thinks it is appropriate to serve Stella in the 21st century and those wanting a more cerebral experience may like to stumble across the Wapping Project instead. Deeply enigmatic from the outset, the cultural centre of Wapping’s renaissance is very poorly signposted and built in traditional red brick; the post-modern restaurant could easily be mistaken for a poor house in Manchester.

The former Hydraulic Power Station is one of the strangest restaurants in London with its austere green interior and avant-garde exhibitions. Fittingly the next installation is devoted to iconic Japanese designer Yohji Yamamto and involves an oversized silk wedding dress in the Boiler House.  The Yohji Making Waves exhibition will only be fully visible from a small wooden boat, and future visitors will be rowed to the centre by a boatman every 15 minutes.

Unsurprisingly the Wapping Project doesn’t serve pie and mash to their arty visitors and prefers to indulge in a spot of braised osso burro, saffron risotto, kale and gremolota on a Saturday afternoon. And while their city boy neighbours continue to buy up properties along the water, further inland towards Shadwell there is a depressingly familiar story of urban deprivation. Raw, uncompromising and a throwback to the 1970s, the inner city suburb is best known as the birthplace of Bob Crow.

As the source of muscular trade unionism in the 21st century, Shadwell provides a stark contrast to the gentrified Wapping only five minutes away. With its ceremonial symbols of a maritime past no one in the area has ever known, there is a disconnection that not even a billion pound tube line can hope to make equal. Meanwhile the cultural pursuits and middle-class drinking games will only continue as millions of passengers set on board a cinematic journey inside London’s industrial past.

East London Line photo used with kind permission by Chris Hill-Scott

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Broadway Market

Street markets are always colourful and inviting to outsiders. Whether it’s old ladies buying fruit and vegetables, teenagers pouring through vintage stalls or polo shirted lads wolfing down burgers. Everyone loves buying their food and clothes in the great outdoors. Markets reflect their customers and things get a little E2 on a Saturday as Yindies from all over London march along the Regent’s Canal towards Broadway Market.

Amongst the motorbikes, geese and submerged corpses in the canal is an Olympic fuelled gentrification process. With the unseen demolition of old landmarks raising memories like rubble. They are reflective of an era increasingly comfortable building unaffordable luxury homes. Erased from history these ruins will swiftly become aspirational flats with bicycle decorated balconies and parking spaces. No doubt they will become the ideal homes for middle-class refugees on their weekly pilgrimage to Broadway Market.

After being neglected for decades, the market was revived in 2004 and now has over 80 stalls running from the Regent’s Canal down to London Fields. People arriving from the towpath will immediately feel the iconic presence of F.Cooke’s Pie and Mash shop. The old mash store has been trading in the same premises since 1900 and serves traditional pie, mash, liquor and jellied eels to a new generation of Londoners. Back then a ‘jellied eel’ from Frank Cooke would be a good deal to most but the old Cockney dialect has since migrated eastwards to Essex.

A new demographic has taken hold and the social paradox is that while Broadway Market is a vintage mecca for East London fashionistas. They rarely mix or come into contact with the local working class community in the nearby housing schemes. Occasionally this spills into violence and last year’s ‘Bloods and Crisps‘ gang fight led to a 27-year-old hipster being shot in the back. While there are spaces that ache in the uninhabited air, London Fields continues to blossom as traders descends on Broadway Market to sell everything from sunflowers, oysters and spicy Ghanian dishes.

As food goes there is nowhere better in East London to satisfy your ailing taste buds. From petit sugary goodness by Violet Cakes to Vietnamese Bánh mì sandwiches, Broadway Market is awash with food stalls selling German sausages, wild beef and tangerine pots of hummus. If you do tire of eating from all corners of the world then vintage wares are not too far away. Extremely stylish women in their late twenties are regularly seen flocking past carrying recycled bags full of beautiful dresses, hats and last week’s copy of The Observer.

Attractive young women buying vintage French knickers is always going be a popular activity on Broadway Market. However they are often ridiculously expensive and prices for knitted adornments are reflective of people who can afford to pay £145 a week for a room in Dalston. Unaffordable luxuries are nothing new in the capital and the London Fields hipster community are no different than their friends in Spitalfields, Brick Lane or Portobello Market.

On buying products everyone appears to want but none of us actually need. Yindies are reflective of the materialistic values inherent in our society. Meanwhile the day passes and unseen labour begin to dissemble their iron poles, plastic covers and crates in anticipation of another pay day. On leaving behind a trail of exhaust fumes, debris and stray hipsters for another week, there is perhaps, just something about human nature that turns everything into a routine.

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My last bite

As food prices continue to rise and my salary unable to keep up with the rate of inflation, I faced a grim economic decision and made cuts to my lunch budget. While I have no intention of starving this year, I can no longer justify spending excess of £5 a day in cafes, bars and delicatessens. At lunch time I now have to unwrap wholemeal sandwiches from a recycled Tesco bag and savour the grim banality of an economic recession. With my taste buds regressing back to the 1980s, I became nostalgic for the culinary delights of the credit boom when it was acceptable to spend well beyond your means.

Lunches can brighten up even the most mediocre day at work. At the strike of noon, I consider lunch time in Fitzrovia to be a truly glorious affair and not just because I am not working. Fitzrovia is arguably one of the best places in London to enjoy a mid-day feast. With almost every world cuisine available, I would regularly satisfy my carnal desires at the Goodge Place Food Market. Despite my modest salary, I have always strongly believed that beautiful food should not be restricted to advertising executives queuing up for crispy garlic prawns, chicken burritos or Lebanese falafel from Hoxton Beach.

On becoming accustomed to enjoying a grand luncheon everyday, I would attend trendy cafes and rotate my meals depending on whether I fancied Japanese noodles, Pasta alla carbonara or a Vietnamese Bánh mì sandwich. Alternatively if I was running low on funds, I would resort to a taste of real life at Greggs and feel unhealthily Scottish for 48 hours. Such poor eating habits became the norm towards the end of last year when I began my efficiency drive. While saving is now an economic necessity, I sometimes feel disillusioned eating wholemeal sandwiches and occasionally slip back into decadent ways.

Food is one of life’s great pleasures and one of my favourite cafes in Fitzrovia is the charming Italia Uno, which serves rustic dishes and beautiful Italian sandwiches. Such is the popularity of the cafe you will regularly see immigration-style queues in anticipation of a cold slice of prosciutto. While undoubtedly popular with local residents, the cafe’s interior is fairly ordinary and embraces the traditional Italian fare of cooking, football shirts and Berlusconi inspired bad television.

Customers should wait until after 2pm for the peak lunch crowds to disperse before entering this family run outlet. Almost all of the regular clientele are from the Bel Paese and their sandwich menu is absolutely divine. The classic Piccante sandwich with extra sun-dried tomatoes is the undisputed favourite and while at £3.80 a sandwich it is very reasonably priced. Italian sandwiches are now confined to a distant memory as my lunches are forcibly digested in front of a keyboard. Unable to turn back the clock, I continue to walk past the advertising executives eating Lebanese falafel and can only marvel at what unrestricted wealth can buy in this age of austerity.

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Under the Bridge

After living in East London for three years, I am very familiar with its urban grime, Vietnamese restaurants and crime statistics. Undeniably pretentious and never dull, the gentrification process of one of London’s poorest and most ethnically diverse regions is a fascinating one. While still largely working-class because of its industrial past, Shoreditch and Hoxton has been completely transformed since the 1990s. With the creative sectors establishing a foothold and middle-class students always looking for cheap rents, the East now celebrates vintage clothes stalls, street artwork and independent pop-up stores.

Amid the urban deprivation and human decay, I found myself walking along one of the oldest roads in England and discovered the Bridge Coffee House. While Hiram Bingham’s legacy is unlikely to be threatened by a new coffee shop in Dalston, I felt this unexplored venue deserved further investigation. The Bridge Coffee House is more like a vintage antique shop than a coffee parlour. By taking their inspiration from Venetian coffee shops and lining their shelves with Italian caffè, syrup and cappuccino machines. The retro cafe is like a set from an Old Vic theatre production and their first act is an imperial vision of the 1920s.

On arrival I ordered a strawberry chocolate gatteau and began to visualise Ernest Hemingway drinking himself into a stupor at the bar. Surrounding my creation is a snapshot of 20th Century memorabilia including union jacks, trinklets and an original copper till from 1886. The proud Cypriot owner provides a warm and authentic service in stark contrast to the younger bars in nearby Shoreditch. On taking 8 months to complete, the downstairs interior has been decorated with French regency chairs, vintage movie posters and Tiffany lamps.

Although as I listened to 60′s motown music, I began to question whether this vintage chic shop is any different than any other East London venture. Counter-culture shops can sometimes be as equally homogenous as the H&M wearing masses in Starbucks. Shoreditch is full of young urban people with an independent attitude to music or culture. They were once famously caricatured on Channel Four as ‘self-regarding consumer slaves, oblivious to the paradox of their uniform individuality’.

Some of the greatest fears for this coffee shop is that it will soon become full of Hackney hipsters. While the upstairs decor is bordering on the ridiculous with its spectacularly pink art-deco chairs, I found myself seduced by the theatre downstairs. Beautiful girls drink coffee on their own in a nostalgic fantasy land that should be seen now before they receive 4 stars from Time Out.

The Bridge Coffee House
15 Kingsland Road
E2 8AA

Images used with kind permission from Tim Boddy.

Nationalism is a Created Product

After attending the Pioneering Painters exhibition at the Royal Academy of Arts, I began to question why I never learned about the Glasgow Boys at school. Radical, bold and fervently European in their outlook, the Glasgow Boys represent a new progressive Scotland. But the movement remained off my cultural radar until I attended Glasgow University and stumbled upon their works at the nearby Kelvingrove Museum. On re-examining their most radical and exciting works at the Royal Academy of Arts, I drew an immediate contrast with Burns Night.

Reflecting back on my primary school days in Aberdeenshire, I vividly remember my P6 teacher’s poetry recital classes with ‘A Man’s a Man for all That’ being the proverbial jewel in the crown. With my Anglo-Irish vowels, I always dreaded Burns week and felt extremely self-conscious that I couldn’t recite verses in guttural Doric like my Aberdonian peers. While I eventually grew to admire some of Burns vernacular gifts, I have remained curiously ambivalent about Burns Night. It always felt somewhat contrived to me. Almost like a post-modern image of Scottishness which bears no relevance to day-to-day life.

Burns Night is arguably the biggest literary event in the world with an estimated 9 million people participating last year. A typical Burns night has poetry recitals, bagpipes and three courses of traditional Scottish fair, which usually involves cock-a-leekie soup, haggis, neeps and tatties and a complimentary dram. With the greatest respect this dour cuisine is certainly not the most alluring of European dishes. If there is a Scottish restaurant in Rome or Barcelona then I certainly haven’t seen one. All the while the Haggis represents a comic sentimental image of Scotland to outsiders. But I find it deeply regrettable that a foul peasant condom is Scotland’s national dish when our glens, forests and lochs are home to some of the finest game and fish in Northern Europe.

Whereas other countries define themselves around wars, revolutions and kings, Scotland remains a stateless nation and embraces cultural nationalism to exert her identity. Burns Night remains consistent with the twee sentimental image of Scotland constructed by Sir Walter Scott in the 19th century. After nearly two hundred years of progress, Scotland is still renowned for its kilts, whisky and majestic Highland landscapes. Anyone walking past a triumphant Visit Scotland billboard will be in no doubt of the country’s national identity. What is fascinating is that the Glasgow Boys emerged towards the end of the 1870s and radically vowed to challenge the sentimental Victorian obsession with the Highlands.

By challenging this twee conservative vision of Scotland, I found inspiration from the Glasgow Boys exhibition that there is an alternative to Robert Burns and Sir Walter Scott. The Glasgow Boys were bold, radical and experimental painters, whose stunning collection of works represent a genuinely progressive movement. A collection of artists that dared to look towards the Mediterranean and Japan for inspiration instead of turning inwards towards the Highlands.

What I find surprising is that the Glasgow Boys remain a quirky afterthought in Scottish culture. If I hadn’t stumbled upon their paintings in the Kelvingrove Museum, then I could easily have remained ignorant of their existence. A truly confident country should look outwards for inspiration and I see no reason why the Glasgow Boys shouldn’t be universally affiliated with Scotland like Dali, Gaudi and Picasso are with Spain. It is deeply regrettable that this radical confederation of painters have been unable to excert a greater cultural influence in their own country. Robert Burns remains Scotland’s most iconic and influential poet but anyone tucking into their Haggis tonight should be under no illusions that nationalism is anything other than a created product.

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